Former Petaluman Gary Vogensen rocks on

Vogensen has played?with some of the greats?in the music business|

Gary Vogensen was 17 when he picked up a guitar for the first time. It was a gift from his parents, and he never put it down.

“It just stuck,” he said. “It felt so natural and it became a passion.” Within a year and a half, he was in his first band.

Nearly 50 years later, he has earned a reputation as a stellar guitarist, singer and harmonica player who is equally adept at playing jazz, blues, country or rock ’n’ roll. A longtime member of the New Riders of the Purple Sage, he also has played with the likes of Steve Miller, Carlene Carter, Elvin Bishop and Commander Cody.

Growing up in Marin County in the 1960s gave Vogensen an opportunity to hear live music at San Francisco venues such as the Fillmore Auditorium and the Avalon Ballroom. He also started going to rehearsal halls, where he met professional musicians.

“I learned a lot just hanging out and watching people play,” he said.

One day, Vogensen met legendary blues guitarist Mike Bloomfield, who was producing a record for Barry Melton. “He was brilliant and laser-smart,” Vogensen recalled. Bloomfield and Melton were rehearsing when the musicians started an informal jam session.

“My buddies pushed me forward into the room with my Fender guitar,” Vogensen said. Bloomfield took notice of the young guitarist. “He was very gracious,” Vogensen said. “He told Barry (Melton) that he should take me on the road with him. Over the years, he recommended me to several musicians.”

That was a seminal moment for Vogensen.

“For me, it was an entrée into the world of real artists,” he said.

Bloomfield continued to be a supporter and mentor for Vogensen until his death in 1981. He hired him for gigs and recording sessions and introduced him to many musicians, including Frank Zappa, Maria Muldaur, Nick Gravenitas and Norton Buffalo.

Vogensen played in Elvin Bishop’s band for many years and found him to be, “an extraordinary person. He was a National Merit Scholar who found his way into the music business. Hanging out with someone that long has been a privilege and a rarified place to be.”

One time, Vogensen was playing with Bishop at Lake Tahoe, and Etta James was doing a show at the same venue.

“Her guitar player hurt his wrist and I was recruited to play with her,” he recalled. “At one point during the show, I realized that everyone I had worked with - up to that point - was a second-generation blues and R&B musician. Now I was playing with someone from the first generation. In my mind, it put me at different level. She had become such an icon, and at that time was rebuilding her career.”

One of his most memorable moments was a job he didn’t get. In 1976, Zappa was looking for musicians for his band, and thanks to Bloomfield’s recommendation, Vogensen was invited to audition.

“I spent two weeks with Frank Zappa, trying to get into his band,” he said. “It was an educational experience. But in the end, I didn’t get the gig.”

About 10 years later, his friendship with Russ Gauthier led to a more satisfying conclusion. Gauthier, a multi-instrumentalist in the country-rock band New Riders of the Purple Sage, called Vogensen when their guitar player quit the band a week before they were scheduled to go on tour. It turned into a stint of more than 15 years.

“We traveled around the world, across the country and up and down the coast,” Vogensen said. “It was a great time, and we made some great music.”

Neither Vogensen nor Gauthier are in NRPS anymore, but they play together in the Rivertown Trio, along with vocalist Julie Bernard.

Asked if he has a favorite musical genre, Vogensen said it’s all about the songs.

“I like to sing real songs. Look at Ray Charles. He sang everything from blues, gospel and jazz to soul. It’s really about the songs. If it’s a good song, we’re going to do it.”

He has recorded one solo CD, “It’s All About Love,” and more with the New Riders, Bishop, Commander Cody and others.

Twenty years ago, Vogensen branched out and began building a practice as a guitar teacher. He uses the CAGED method (named after the five basic open chord shapes: C, A, G, E and D), which he describes as, “a way of reading and perceiving the guitar that’s extremely valuable.”

Vogensen said he’s grateful to have made a living playing music for almost 50 years.

“I’ve met some amazing genius musicians who have invited me to join them.”

Vogensen, who lived in Petaluma for 37 years, still considers it his home, although he currently lives in Novato. Now that he isn’t on the road as much as he used to be, Petaluma and North Bay residents can hear him play regularly with various ensembles, at venues like Aqus Café, The Big Easy, Twin Oaks Roadhouse and Rancho Nicasio (see sidebar).

The third Sunday afternoon of every month, his GV and the Ramble Band play at Aqus Café, and musicians such as Bishop and Muldaur have occasionally joined in.

“You never know who’s going to drop by,” Vogensen said.

“We don’t play for the money,” he added. “We get together to have a jam session, play songs we want to play and have a great time. It’s like we’re inviting people into our living room.”

(Chris Samson is the former editor of the Argus-Courier. Contact him at chrissamson@yahoo.com.)

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