THEATER: Actor Williams and troupe to improvise full musical, complete with songs and choreography

Petaluma's Larry Williams, improvizing a pose in Peterson Mechanical's evacuation assembly area Monday, Sept. 25, 2017. This weekend, he'll improvize an entire stage musical, complete with songs and choreography (Photo by Julie Vader/special to the Index-Tribune)


“Do you want to sit inside or outside?” asks Larry Williams, cup of coffee in hand, poised midway between an indoor table and the door to the sunbaked patio area. “Hey, I’m a trained improvisational comedian, so I can make it work either way.”

We choose the table. Pulling up a chair, Williams — a Petaluma resident and hard-working actor-director-and-comic — notes that we’re just down the street from Peterson Mechanical, where he works at his other job as Director of Technical Services.

“It’s a major heating, sheet-metal and plumbing business,” says Williams, who does information technology for the company, and also does detailing and drafting for the plumbing department. “I draw three-dimensional drawings of plumbing,” he explains. “We create drawings that allow you to fly through the model and see everything ahead of time.” Among the projects Williams has worked on are the Sutter hospital in Santa Rosa, and a new hospital building for Marin General.

“It’s very interesting work, it really is,” he says. “And it’s pretty much the exact opposite of improvising a musical comedy in front of a live audience before their very eyes.”

He’s referring to his latest theatrical endeavor, a little thing called “Playwright: An Improvised Musical,” which he’s directing and will appear in this weekend at Spreckels Performing Arts Center in Rohnert Park. Presented by Monkey Monkey + Larry – a local improv comedy troupe with which Williams often performs — the show begins with the audience choosing a famous playwright — either Sam Shepard, Neil Simon, or Tennessee Williams — the style of which the troupe will emulate as they invent a full-scale musical, complete with songs and dance numbers, right on the spot.

“It’s something to see, believe you me,” laughs Williams, leaning forward and speaking into the recording device that is currently capturing his words. “This is a form of improvisational comedy known as ‘long form improv,’” he explains. “It’s better known in San Francisco and New York, where this kind of thing is pretty huge. I’m very excited about helping to introduce it to Sonoma County. This is not ‘Who’s Line is it, Anyway?’ which is what people think of when they hear the word ‘improv.’ This is live storytelling, two hours of a show in which the audience watches us take their suggestions, and then build the characters, create an environment, and make up a show using only our instincts, comic inclinations, and our trust of each other as comedians.”

It is, he says, as exciting to perform as it is to watch.

“It’s one of the most high-wire, on-the-edge forms of comedy you will ever see,” he says. “It would be hard enough just doing a regular play. But adding improvised music to it just makes it all the more outrageous.”

There will be a live accompanist playing along as the actors make up lyrics to go with the newly-minted tune.

“Fortunately,” Williams says, “most of us can actually sing.”

Born in Santa Barbara, the son of a highway landscaper who moved his family all over the Southwest, anywhere a new highway was being built — Pismo Beach, Crescent City, Las Vegas. When they finally settled down into a less nomadic lifestyle, Williams ended up in Novato, where he attended high school, and eventually took classes at Indian Valley College.

“That’s where I ended up getting into drama, something I’d always secretly been wanting to do,” he admits. “The high school group I hung out with did not much go for people who did theater, though, so I buried those inclinations. I was a bad boy, greaser, smoking-area type of guy in high school, but I always wanted to try my hand at theater, and college was where I got my chance.”

Taking his first theater class, Williams says, was an experience that turned his entire life upside down. For one thing, it’s where he discovered his inner comedian.

“I started working on comedy with a group of friends,” he says. “Sketch comedy, improvisational comedy, stand-up comedy, all kinds of things.” It was at Indian Valley College that he met Petaluma’s Carl Jordan, then a dancer, now an award-winning stage director.

“We ended up going to San Francisco State, getting into other aspects of theater, and eventually starting a theater group,” recalls Williams. “I’d write the shows and star in them, Carl would direct them, and we did a bunch of stuff all over Marin and Sonoma County.”

Next month, as it so happens, Williams will be working with Jordan in a play at San Rafael’s Belrose Theater. Alternating with actor Jeffrey Weissman (yet another Petaluma performer), Williams will be appearing alongside Melissa Claire in the two-person nerds-in-love romantic comedy “Pinky,” written in 2012 by (full disclosure alert!) the writer who is interviewing him at this moment.

After spending a couple of years in Los Angeles trying to break into Hollywood — doing all kinds of theater along the way — Williams eventually returned home to Northern California, married, had some kids, and settled down in Petaluma.

Over the last several years, Williams has become a well-recognized go-to actor within the local theater community, with emphasis on creating zany, over-the-top characters. In recent months, he’s played Colonel Mustard in “Clue: the Musical” at Lucky Penny Community Arts Center in Napa, Black Stache in Spreckels’ “Peter and the Starcatcher,” a whole parade of oddballs in the Sherlock Holmes spoof “Baskerville” (in which he stole the show wrestling a large stuffed dog, and hilariously lost the fight), the Wizard in 6th Street Playhouse’s ‘The Wizard of Oz,” and several others. As a director, he helmed Spreckels’ elaborate historical musical “1776,” for which he’s been nominated for a Marquee Theater Journalists award. He was also nominated for a Theater Bay Area award for his appearance in the aforementioned “Baskerville.”

“I like to stay busy,” Williams says of his nearly endless string of theater productions. “And I like to keep things different, do different types of shows. That’s why this improv musical is such an exciting thing to be a part of.”

With a laugh, he adds, “What could be better, or more challenging, than performing in a completely different show. every single night?”

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